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An Article by AID-Dallas Volunteer Sheetal Umesh Kumar

“Hey, am I still doing the press
coverage and taking pictures for the Bhopal gas thing today?” I ask
Vijai, the president of the Association of India's development –
Dallas chapter, this afternoon. I was going to have a busy day; my
agenda, apart from my weekly grooming routine, included shopping,
moving to my new apartment and cooking for my friends. I was being
constructive; any activity other than sleeping to me up until now,
meant I was being productive. Alright. I think to myself. This
is not bad. I'm pretty sure I can squeeze in some time to volunteer
for an AID event, I am a volunteer, I do have to show up once in a
while. So, I put on some make up, decide I need to smell nice and
head out. It is a warm day, and I am happy.
On my way to the student mall at the
University of Texas at Dallas, I bump into Nishank, one of the newer
volunteers, and confirm where I need to show up. He was a part of a
play that the AID Dallas chapter was performing to commemorate the
Bhopal gas tragedy. Apparently today was an anniversary. Hmmm.
I am still pretty disconnected with the whole event. It was a
beautiful day, and this was just something to do for the afternoon.
From inside the glass doors of the Student Union, I could see Vijai,
Karthik, Chetana and Ramki all talking. So, I wave brightly and walk
down the gallery. They were laying out posters, and I had to make
myself useful, so I stand, arrange around and try to weigh the
posters down so the wind wouldn't blow them away. One poster catches my attention. A
centered picture in it is what I can't seem to look away from. It is
a dead child, buried in the ground except for an emerging head. Her
eyes are open. They look like hailstones. She looked like she died in
agony, died while gasping for breath. Below it, I read the caption
“20,000 dead; Still counting.” I am not sure if this afternoon is
going to be as light as I imagined it would be. I read on. “Torture
me.” It shows a Bhopali woman, wearing her modesty, a stole over
her head, attempting a smile. This is obviously important to her and
in her control. What is not, is how she is affected by the tragedy.
Her eyes look like hailstones too. She has a voice, she can speak.
But there is no one to hear. She is an ambassador, for pain, for
injustice, for living misery.
I am turning emotional at this point.
But my attention is quickly directed towards Vijai, who wants to
explain how his fancy SLR camera works. While amusing myself, I
realize that the play is ready to start. We have an audience of
almost thirty UTD students, and I want to take pictures of everybody.
This camera was getting me excited, and I conveniently shove the
Bhopal emotion out of my mind.
The first thing I learn is, that it is
not just a “Bhopal gas thing.” It is the twenty third anniversary
of the Bhopal gas tragedy. Twenty three not out - a shocking
realization. It has been this long, and people are still suffering
the consequences of an accident, something that happened in a
fraction of a second.
The play begins. Three words keep
repeating through the play – Methyl-Isocyanate, poisonous
and Union Carbide. In a nut shell, Union Carbide compromised
on safety standards by consciously opting to use Methyl-Isocyanate,
the most poisonous chemical known, to manufacture Sevin, a pesticide.
Ironical – a pesticide, a substance used to kill nuisance
organisms, in order to protect crop. An accident happened,
Methyl-Isocyanate leaked and a city died. Blame was tossed around,
disclaimers have been forced upon the press and nobody has taken
responsibility. For an estimated three and a half billion dollars
worth of damage, a measly four and a half hundred million dollars of
compensation was offered. The logic being Five hundred dollars
converted to Indian rupees was enough to sustain an affected person
for their lifetime. “Why not, the disaster was going to kill
them early anyway! Mindless morons”, the Union Carbide must
have reasoned. Protests happened, charges were filed, it has
been 23 years, the victims are still waiting for justice.
Vijai's conclusion guilts me into an
early PMS. 1984 December 2rd Bhopal borns bore the brunt
of the tragedy. More than two decades later, when most of us that
share the same year of birth, are figuring out complicated career
paths, many of us working on convoluted engineering and medical
problems, there is a group of people thinking, acting and living, as
five and ten year olds. I think about myself. My biggest concern for
the present, is when I am going to meet my prince charming. The
thought that I might have to stay single and lonely indefinitely
scares me to the point of praying. But the victims of the disaster
have real problems. Death is easy to deal with – you don't, you
die. Whats hard is living with and propagating bronchial pneumonia,
lung edema, emphysema and hemorrhages, to mention much less than a
few. Prayers are obviously not working. Law suits are not helping.
Life is more of a curse to most of them, they wish they weren't even
born.
I, like most people can handle only one
emotion at a time. And anger is priority one. I am angry with Union
Carbide, for not having been responsible enough to make safe
decisions, angry with the Government of India for not having taken
strong action against Union Carbide. Angry with the citizens of India
for letting the issue be forgotten, angry at myself for being
ignorant and powerless.
I felt small, I felt weak. I felt
inconsequential. These are just one of the mega zillion problems
developing India is facing. Are we even justified in calling
our country “developing” India? In what sense are we developing?
High tech malls and the IT sector are supposed to generate revenue,
in turn bettering living conditions and facilities for all Indians
uniformly. Education is secondary, citizens are being deprived
of the basic needs – food, clothing and shelter. Problems are
deeper than we can imagine, and I wonder if it is even possible at
this juncture to change for the better. Have we reached the point of
no return?
“Everything may not be fine,” Vijai
tells me “but, we can make a difference.” That cheers me up, just
the little I need it to. AID tries to do everything it can, to aid in
the development of India, in every possible angle, be it providing
classrooms for rural education, food for disaster struck areas, or
medical facilities for the remote villages. I am inspired by the AID
Dallas volunteers. They have jobs, they are busy and important
people. They are people who have hobbies, one of them being
Association of India's development. But when it comes to making a
difference, they believe in compassion wherever there is suffering,
conviction that the compassion is strong enough to eliminate the
suffering, courage to make this conviction a reality. I am proud to
be one of them.
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